Kumudini Lakhia, India’s most revered Kathak maestro, has entered the afterlife. She was 97 when she breathed her last, leaving behind not just a legacy, but a living rhythm in the soul of Indian classical dance.
It’s aptly said that she reimagined Kathak. “From courtrooms to global stages, from tradition to fearless innovation — she turned every performance into poetry,” read a moving quote on social media.
“Her spirit, her aura, and her wisdom were as radiant as her art,” said another of her admirers.
With a career in dance that spanned over 70 years, Lakhia became synonymous with Kathak. She was an acclaimed choreographer too, ensuring that the art spread to the arteries of Gujarat — she established the Kadamb School of Dance and Music in 1967.
Dhabkar (Pulse), Yugal (The Duet), and Atah Kim (Where Now?), which she showcased at the Kathak Mahotsav in Delhi in 1980 are among her notable choreographies.
Her innovative approach also led her to choreograph for the acclaimed Hindi film Umrao Jaan (1981), alongside fellow classical dancer Gopi Krishna.
Fittingly, in recognition of her exceptional and distinguished contribution to Indian classical dance, she was conferred with the Padma Vibhushan, one of the highest civilian honours in the country.
According to reports, she began her dance journey at the age of seven under the guidance of Sohanlal of the Bikaner Gharana. Her training continued with Ashiq Hussain of the Benaras Gharana, Sunder Prasad of the Jaipur school, and the legendary Shambhu Maharaj, each contributing to her profound understanding of the classical dance form.
